![]() That is not to say that How I Learned to Drive is ever quite a comfortable experience. After more than a quarter of a century, they all move assuredly in old roles as the play shifts back into gear. With a firm eye on the rearview mirror, this production reunites director Mark Brokaw, who helmed the show’s premiere at the Vineyard in 1997, with its two extraordinary original stars, Mary-Louise Parker and David Morse also along for the ride is Johanna Day as the principal soloist in the show’s Greek Chorus of three, plus lighting designer Mark McCullough and sound designer David Van Tieghem. Manhattan Theatre Club’s revival of Paula Vogel’s How I Learned to Drive, one of the signal plays of the 1990s, represents an exception. Most good theater lives on, if it’s lucky, only in the memory of those who saw it. ![]()
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